From early childhood Rosa Bonheur had a liberal outlook and defiant personality, attributed in part to her father's belief in a form of socialism whereby class and gender distinctions were radically dissolved. As such, even though born at a time when women were not admitted to art school and most typically became absorbed into a life of domestic dependency, this was not Bonheur's fate. With her father's support she began to paint prolifically from her early teenage years, by mid career she had been awarded many prestigious accolades previously only achieved by men, and in later life she was famous and independently wealthy.
Alongside her English counter-part, Edwin Landseer, Rosa Bonheur was the foremost French "animalier" (animal painter) of her age, and arguably of all time. Bonheur's work was linked to landscape painting and the Realist tradition, but also spoke of a connection between nature, art, and society that ran deeper than the observational platform from which the canvases initially sprang. As the influential theorist John Ruskin well articulated in 1847, by painting surrounding nature, "by rejecting nothing; believing nothing", that then, effortlessly and organically "the truth" emerges. In this 'truth' there is a subtle moral lesson of equality to be learnt, that even animals have a soul, and that all (and this applies to humans now too), no matter how big, small, dark or light, deserve attention, care, and visibility. Rosa Bonheur said herself that she was 'wed to her art'. As such, her pictures become her children painted with unfailing dedication and exquisite tenderness. She was a pioneer for an alternate family structure, spending her life in a same sex partnership devoted to the creation and care of animals and art works.
Rosa Bonheur is an early example of a feminist. She lived entirely independently, with no need of any financial support beyond her own living made from painting. Groundbreaking for the time, Bonheur was openly a lesbian, living for her whole life with another woman. She also rejected typical female attire and instead applied for a police permit (indicating just how radical this was) in 1852 to wear men's clothes whilst she worked. As such, she sets a precedent and becomes a role model to the likes of the iconic Georgia O'Keeffe and Frida Kahlo, who made similar visual statements of equality in the twentieth century.
Bonheur diligently studied animal anatomy, often visiting the abattoir and calling such research, "...wading in pools of blood...". The artist's interest in observing the world around her goes deeper than a simple surface sentimentality. The message is that art, like medicine, is a holistic discipline with the scientific impetus to get to the heart of what it means to be alive. How is flesh composed, and how does a body move, and how does that in turn then feel? Bonheur was dedicated to understanding the inner working of creatures in order to successfully convey an exterior view.
Painted with the accuracy and intricacy of photography before and simultaneous to its widespread invention, her work satisfied an intense craving for Realism at this time. However, there is also a subtle symbolism at work in Rosa Bonheur's pictures. In the way that the artist treats all of her subjects equally, whatever species, be it dog, lion, bull or horse, small or colossal, black, white or brown, Bonheur makes no distinction in terms of value. The underlying suggestion is that she may be a pioneer of racial as well as gender equality, and whether consciously or unconsciously so, a visionary of a better world in which boundaries and binary definitions are entirely dissolved.
Despite being born a Frenchwoman, Bonheur's work fits particularly well into the English values of the day. Under the reign of Queen Victoria - herself a personal lover of animal paintings - art became homely and easy to understand. The emphasis on literature and philosophy, as well as on art was to adopt a plainer language, and as such engage all people, not only the great and the wealthy. Bonheur's love of storytelling and passion for animals at a time when the British nation was establishing homes for lost and abandoned dogs in Battersea and building pet cemeteries, placed her perfectly in tune, and as such brought fame in her lifetime.